Edited by Julia Gelezova and Ángel Luis González.
245 x 185 mm
OVER Journal is a new periodical publication and online platform that proposes its readers a more wholesome, honest, and critical observation and enjoyment of Photography. Publishing commissioned texts and artworks alongside interviews and opinion pieces, it aims to create the ideal channel for an open and global discussion about the context in which the discipline sits, and not just about the output of artists, exhibiting venues, and publishing houses.
OVER Journal critically focuses on aspects often overlooked that affect the discipline, zooming out to observe the whole scene, to analyse what exactly is happening, what power relationships are at play. It is about preventing the repetition of obsolete and flawed structures, as much as highlighting the work of those who constructively are expanding what we still call Photography into new horizons. More than a portfolio magazine, it is a space for reflection on new practices, new ways of thinking, shining a light wherever needed.
Our interest in energising a critical engagement with Photography and Visual Culture, Cultural Studies, and Critical Thinking —to collectively question the world we persistently represent to ourselves— motivated PhotoIreland since 2009 to develop a variety of short and long-term projects. Our work has manifested in a yearly Photography festival, a public resource photobook library, an Art bookshop, various publishing ventures, a print fair, Art residencies such as How to Flatten a Mountain, and a space for critical research called the Critical Academy. Adding to these, since 2015 we have gained valuable experience participating in various European Union co-funded projects. It is then not by chance that OVER Journal comes into being.
Becks Butler, David Farrell, Eva Kreuger, Francesca Catastini, Garry Loughlin, Guerrilla Girls, Heather Agyepong, Hiro Tanaka, Mark McGuinness, Shia Conlon, Teresa Eng, Theo Ellison, Vera Ryklova, and Yvette Monahan.
About the Publisher
Over the last decade, PhotoIreland has become a key constituent of the Visual Arts in Ireland, offering from Dublin an annual festival dedicated to Photography, running a cultural hub in buzzing Temple Bar, and developing constructive channels with a strong network of organisations worldwide.
Through these networks, PhotoIreland creates cultural exchanges internationally, promoting relentlessly the works of Irish artists around the world, actively seeking to be present in key festivals, fairs, and becoming the main voice for Contemporary Photography from Ireland. Indeed, it is not per chance PhotoIreland is the only Irish organisation invited as founding member to Parallel Platform and Futures Photography – already a member of 3 EU co-funded projects. Alongside this work, The Library Project, a space that started as a photobook library, has now become a busy Art bookshop focused on visual culture and critical thinking, stocking publications brought to Ireland from all over the world, presented alongside exhibitions and events in its productive gallery space.